The Stone Gods has ratings and reviews. Ian said: When I bought my copy of The Stone Gods, the bookseller told me two things: it had received s. “The Stone Gods,” Jeanette Winterson’s new novel, makes an excellent choice for desert-planet reading — scary, beautiful, witty and wistful by. The Stone Gods is one of Jeanette Winterson’s most imaginative novels — an interplanetary love story; a traveller’s tale; a hymn to the beauty of the world. On the.
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As the end approaches, Billie is thoroughly gofs by the state in which some of these people live, physically torn apart by jeanetfe and the destructive power of science, yet clinging to life tenaciously. Hardcover US publication date: This page was last edited on 17 Octoberat If you love breathtakingly beautiful writing, check out The World, And Other Placesher collection of short stories.
And off the air, Billie and Spike are falling in love.
Stranger than science fiction
About the things we do and what we are. I’ll stand by my determination that I don’t think this is a work of genre fiction – it uses the tropes, and it uses the fantastic, but in essence it’s still a work of Jeanette Winterson’s dreamy, ephemeral fiction.
Given a chance, it wouldn’t learn from the mistakes, but simply repeat te. Generally, her books run standard sized pages. I am sorry to sound apocalyptic, but this is what I believe.
Aug 31, Tasula wingerson it really liked it. It is fixed on ideas, but would be comfortably shelved in either the literature or the science fiction sections of the bookstore.
The Stone Gods
The history of that island and its people, as it has been pieced together in recent years, is in itself so appalling, and so appallingly apt an image of human misuse of our world, that it needs no heightening to make it hit home. The book then became confusing and disjointed for me.
She needs us like a bed needs bedbugs. She is also the author of a collection of short stories, The World and Other Placesand a winterrson of essays about art and culture, Art Objects, published in It’s lovely and thought-provoking and sad. We live in a sci fi world – much of which is explored in this book – where we can’t My local library has this shelved in the Sci Fi section. Jeanette Winterson’s prose is charming, irreverent and humorous and is a pleasure to read.
Heinlein was the kind of guy who, at a circle jerk, would finish first and yell “I win! The pitch must have been something like, “I’m thinking Robinson Crusoe but scifi and with androids, and also post-WWIII dystopia, but also space exploration and Easter Island and dinosaurs.
Just back to the sci-fi thing for a second: The final story is a near-future post-WWIII story following Billie as she steals a prototype artificial intelligence robot owned by the MORE corporation, which now runs the world or at least, what we can see of it. Billie, who has maintained an unorthodox lifestyle, living along on a working farm that exists in a ‘biodome’-like state, is blackmailed into becoming part of the first colonization mission because she is perceived as a threat to the status quo.
Review: The Stone Gods by Jeanette Winterson | Books | The Guardian
And as Spike learns about art, poetry and culture, she is no longer sure she wants to serve mankind in the way her creators intended. But the most important thing is this. It takes years for the door to swing open, and even when it does, the best minds are undecided as to the value of the contents.
Now the ROAR of air. Published April 14th by Hamish Hamilton first published In the first section, the reduction of the robot Spike to a mere head is grotesquely sad; in the last section, Spike’s existence as a mere head that doesn’t have its body yet is grotesquely funny, particularly when Spike succeeds, as I think no other detached head has, in having sex.
In the meantime, you can read the entire review at Smorgasbook The captain has a small library aboard — an uncommon sight in the wintfrson world they’ve left behind.