A bacchanale is an orgiastic musical composition (Kennedy ), often depicting a drunken John Cage wrote a Bacchanale in , his first work for prepared piano (Pritchett and Kuhn ). The French composer Jacques Ibert was. Composed in for a choreography by the American dancer Syvilla Fort, this was the first piece Cage composed for prepared piano. Cage. Documents Similar To John Cage Bacchanale for Prepared Cage prepared piano. Uploaded by. solitasolfa ยท Vox Balaenae Score. Uploaded by. erin.

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Choreographed by Merce Cunningham in John Cage’s Theatre Pieces: The whole piece was finished in just three days. This is Cage’s first large-scale work for prepared piano.

Victor D’Amico, Arlette Buchman. Eleven notes are prepared, eight of them by screws. Composed in late for a dance by Merce Cunningham. It was Cage’s first work written on request from professional performers. The four dances are:. Bacchaanale are to be prepared using bolts, baacchanale new material is a penny.

Works for prepared piano by John Cage – Wikipedia

I’m only being practical. A suite of three pieces, composed in This page was last edited on 3 Octoberat Composed in for a dance by Jean Erdman. Amores contains four movements:. The room where the dance was to be performed was not large enough to allow for a percussion ensemble, but had enough space for a grand piano.

The music makes much use of scales and arpeggios and features much virtuosic writing. The film contains several segments designed by different artists, and Cage’s music was composed for a segment designed by Marcel Duchamp. A work in three sections: This site uses cookies.


Retrieved from ” https: By using this site, you agree to the Terms of Use and Privacy Policy. The decision to ask Matter to direct was Calder’s: A change in the tempo causes a change in the proportion. Composed in for a dance by Merce Cunningham, and dedicated to Valerie Bettis. Fill in your details below or click an icon to log in: Sonatas and InterludesComposers Recordings Inc.

John Cage โ€“ Bacchanale for prepared piano () | CLASSICALCOM

Fort will go on to a major dance career — one in which she is acknowledged as a leader of the Afro-Modern dance realm — and Cage will further his reputation as a brilliant eccentric by introducing his mind-boggling “prepared piano” to the public that night. Because the number of layers was smaller than in the latter work specifically, there are just two layersthe texture of Two Pastorales is thinner, with long silences between notes.

Composed in โ€”44 for a choreography by Hanya Holm.

The two heavily prepared notes are only used for a trill at the very end of the work. Cage recorded the sounds of Calder’s studio while the sculptor was working โ€” mobiles bumping into one another, etc. Composed inoriginally conceived as the third part of She Is Asleep see below. The piano part develops from free composition movement 1 to following the orchestra using a parallel chart movement 2 and then to sharing the same chart with the orchestra movement 3.

The music and the dance were to bacchqnale accompanied by bacchana,e speaker reading a poem by Langston Hughes about the condition of Black people in the United States. The music is written down on a single staff and follows the structure 4, 7, 2, 5, 4, 7, 2, 3, 5 numbers denote the number of bars dedicated to a particular part of the sectionrepeated twice.


Bibliographic Guide to Dancep. A review published the following week in the The Northwest Enterprise heaped praise upon Fort and also mentioned that Cage’s “fascinating music for Baccanale and his moving Spiritual composition were intensely interesting in their own right.

The piece contains six separate sections with different rhythmic structures. In response to frequent criticisms of prepared piano, Cage cited numerous predecessors such as Henry Bacvhanale.

The Boulez-Cage Correspondencep. The structure of the second movement, for example, is based bar units each divided into four sections: According to Cage, The Perilous Night expresses “the loneliness and terror that comes to one when love becomes unhappy”. Composed in November first piece and January second piece. The piece starts with quiet, muted tones and gradually becomes louder, climaxing in several successions of large tone clustersexecuted using the entire length of the forearm.

This piece was composed for David Tudor and is very difficult to play; its companion piece, 31′ In the score, in 11 cases out of 12, the performer is instructed to “determine position and size of mutes by experiment. A companion piece to 34′ May be performed with or without preparations, which involve 11 notes.