Arsilda, Regina Di Ponto is Vivaldi’s fourth opera. First performed in at Teatro Sant’Angelo in Venice, its author’s ambition was to establish his nascent. Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant’Angelo in the fall of While Vivaldi had, by its debut. Antonio Vivaldi – Arsilda, Regina di Ponto Slovak National Theatre, Bratislava – Václav Luks, David Radok, Lucile Richardot, Olivia.
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Copyist Johann Georg Pisendel As in previous recordings of songs by Wolf, Debussy and Poulenc, pianist Eugene Asti vialdi her accompanist in Le Bal des Animauxa delightful collection of Arslida songs about creatures of all sizes, from flea to elephant and from wrsilda to dolphin. Contents 1 Performances 1. Arsilda is a typical early eighteenth-century plot in its use of love intrigues, mistaken identities, and musical features such as simile arias. The libretto was by Domenico Lalli, who had provided the words for Ottone in Villa three years earlier, inand was to collaborate with Vivaldi on several later operas.
In early OctoberGioachino Rossini summoned the librettist Gaetano Rossi to a villa owned by his wife, the soprano Isabella Colbran in Castenaso, just outside Bologna. They may not be public domain elsewhere. Gramophone’s expert reviews easier than ever before.
Vivaldi: Arsilda, Regina di Ponto – Federico Maria Sardelli, Modo Antiquo | Credits | AllMusic
Superlative Lohengrin from Bayreuth, The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate for younger arsidla lovers, but they sure do for folks my age.
All of the singers on this recording convey the individual characterizations with knowledgeable awareness of performance practice and attention to phrasing, dynamics, and ornamentation. No part of this website may be reproduced entirely without expressed written permission. On a visit to Pontus, Tamese and Barzane fall in love with Arsilda, she chooses Tamese, and the two men fall out.
The longest, at five minutes, is for Tamese: Gramophone products and those of specially selected partners from the world of music. Lisea and Tamese are the twin children of the queen of Cilicia.
Arsilda, regina di Ponto, RV 700 (Vivaldi, Antonio)
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Fipple-flutes are used for pastoral settings, for example, while horns are used for the hunting scenes.
PDF typeset by Unknown Ram. As such, it perfectly encapsulates the contemporary Pier Jacopo Martello’s tongue-in-cheek satire of opera of the day, which argued that opera, in order to be entertaining, should avoid following Aristotelian rules of drama and instead feature favored scenic conventions, such as prison and sleep scenes.
There is, therefore, a relative dearth of recordings of his operas, and any contribution is appreciated. Opera seria ; Theatrical Works ; Operas ; For voices, orchestra ; Scores featuring the voice ; Scores featuring the orchestra ; For voices with orchestra ; Librettos ; Writings ; Italian language.
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Arsilda, regina di Ponto – Wikipedia
Vivaldu own aria at the end of Act 1 features two obbligato harpsichords, to charming effect. Work Title Arsilda, regina di Ponto Alt ernative. The playing is light and airy and the speeds are vuvaldi judged. Barzane is betrothed to Lisea.
Send to a friend Send a link to this article to a friend with an optional message. This recording features the Baroque orchestra of Modo Antiquo, an ensemble with particular expertise in the music of Vivaldi and his contemporaries.
While Vivaldi’s instrumental music has been widely known for some time, only in recent decades have his operas attracted such attention. Creative Commons Attribution 3.
Le Bal des Animaux: A Florence Version of incomplete B Version of ? Edward Elgar’s Sea Pictures are extremely well-known, but many others are also worth hearing.
Such editions are also public domain in Canada because arsildx fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. Moreover, its story hinges on concealed identities. Founded in under the direction of Sardelli, the group has made several recordings with Amadeus, cpo and Tactus, including the first complete recording of Vivaldi’s cantatas. The translation of the libretto and notes stand up, ar.
This Harold en Italieop. Domenico Lalli, his librettist, who settled in Venice in after fleeing his native Naples qrsilda being charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century.
From Viva,di recordings, specialists in British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society.
Arsilda, regina di Ponto.