“The Ontology of the Photographic Image” examines how the plastic arts preserve humans and reality through representation. Photography. Beginning his essay, André Bazin dives right into the practice of embalming, how ancient Egyptians used to mummify bodies and keep them. GLA Fall Take Home Mid-term Assignment Santosh Kumar Korthiwada Instructor: Lisa Levine The Ontology of the Photographic Image – by.

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Probably, his worsening health condition and his immense love for photography and cinema drove him into a philosophical contemplation about death and reach a conclusion that photography is the last word in argument with th. This objectivity and reality are a product of impassive mechanical reproduction.

This objective production affected our psychology of the image. What Bazin did not go into much detail in the argument is about his personal opinion about this topic.

It was natural, therefore, to keep up appearances in the face of the reality of death by preserving flesh and bone. South Yorkshire England View all posts by A. But in the s, photographs of dead bodies were used like Egyptian statues as substitutes for dead bodies. By continuing to use this website, you agree to their use. Painting could not escape the subjectivity of the artists because true likeness could not be achieved through the human hand. The artist and his genius are not present in photography like in painting.

Why or why not? You are imags using your Facebook account. Log In Sign Up. Photography affects us like a phenomenon in nature, like a flower or a snowflake whose vegetable or earthly origins are an inseparable part of their beauty. Bazin uses the French ontoolgy objectif, which means the lens of a photograohic, and overtly, in the French text, plays on this meaning.


Enter the email address you signed up with and we’ll email you a reset link. According to Bazin, today no one recognizes the ontological link between the body and a representation: Santosh Kumar Korthiwada Instructor: Leave a Reply Cancel umage Your email address will not be published.

Reality is transferred from the thing to the reproduction.

André Bazin: The Ontology of the Photographic Image | Santosh Korthiwada –

Bazzin and film can make us believe things that may or may not be not real. However, if one reads the article carefully, Bazin too was not in total agreement with his statement.

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Email required Address never made public. It was meant to awaken people from a false reality and a false consciousness.

André Bazin, “The Ontology of the Photographic Image” () – Jamie L. Brummitt, PhD

To find out more, including how to control cookies, see here: Summary In ancient Egypt the plastic arts, like statuary, were substitutes for dead bodies. Thus, as a final blow, Bazin makes the assertion that photography is the most important event in the history of ansre plastic arts and then leads us into his article on the development of the language of cinema and how we analyze it.

Fill in your details below or click an icon to log in: Because, however, pyramids and labyrinths could be pillaged, statuettes were developed as substitute mummies in case anything were to come of the real one. The object becomes photograph and photograph becomes the object. Photography does provide more realism. This objectivity and realism, however, are only constructions of the mechanical processes of photography.


Bazin continues to explain that the desire to see reality, though it is merely an illusion created via obtology, is a mental need and realism in art is caught between the aesthetic and a deception aimed at fooling the eye.

He states that there is a basic psychological need in man to outwit time and preserving a bodily appearance is fulfilling this desire.

Post was not sent – check your email addresses! Discuss the French term for the lens objectif and its relation to the photographic sensibility. They both create realities in their re-presentations.

Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image

Just another Sites at Lafayette College site. The Ontology of the Photographic Image. What Bazin means here is that the reality is automatically captured by the mechanical object called a lens and the man photographer is absent from the entire process of re-producing the reality photograph. Photography and film are hallucinations and un-real worlds.

Andre Bazin is undoubtedly a famous figure in film criticism and film theory. In my answer to Question 2, I had mentioned that Bazin was a contemporary to Diane Arbus and though he thr born 5 years before Diane, he died of leukemia at an young age of 40 years and seven months.